Celebrating Black Talent and Legacy While I appreciate actors of all backgrounds, this blog is dedicated to honoring Black actors who have passed on and left a lasting impact through their work, talent, and contributions to film and television. Their legacies continue to inspire, and this space is a tribute to the paths they paved and the stories they told.

Monday, August 18, 2025

Bessie Coleman (not an actor but an entertainer) 1892-1926 My Ninja !

                                          Who Was This Black Ninja ?

Early Life

Bessie Coleman was born on January 26, 1892, in Atlanta, Texas, the tenth of thirteen children. Her parents were sharecroppers, and her father was of Native American and African American heritage while her mother was African American. Growing up in poverty, Bessie worked in the cotton fields while attending a segregated one-room school. She showed early determination, walking miles to attend school and excelling in math.


Aviation Dream

As a young woman, Bessie worked as a manicurist in Chicago. There, she heard World War I veterans talk about flying and became fascinated with aviation. At the time, no flight schools in the U.S. accepted women or African Americans. Encouraged by Black newspaper publisher Robert S. Abbott, she saved money and moved to France in 1920.

In France, she trained at the Caudron Brothers’ School of Aviation in Le Crotoy. On June 15, 1921, Coleman earned her pilot’s license from the Fédération Aéronautique Internationale (FAI)—becoming the first African American woman and the first Native American woman to hold a pilot’s license.


Career & Triumphs

Returning to the U.S., Bessie quickly gained fame as “Queen Bess.” She specialized in barnstorming, performing daring stunts like loop-the-loops, figure eights, and parachute jumps at airshows. She became a symbol of hope and pride for African Americans, inspiring many to pursue aviation despite racial and gender barriers.

Coleman also used her platform to speak out against racism and discrimination. She refused to perform at shows that segregated audiences, insisting on equality even in the 1920s Jim Crow era. Her dream was to open a flying school for African Americans so others could follow in her footsteps.


Personal Life

Bessie Coleman never married and had no children. She was intensely focused on her career and her mission to inspire others. Friends described her as fearless, determined, and charming. She balanced her fame with speaking engagements, often addressing African American communities about education, aviation, and self-reliance.


Awards & Recognition

During her lifetime, formal aviation awards for women and African Americans were rare, and Coleman didn’t receive major official honors before her death. However:

  • She was celebrated in Black press outlets like The Chicago Defender.

  • She became the first licensed Black female pilot in the world, which in itself was a monumental triumph.

  • After her death, many schools, streets, and organizations were named in her honor, including Bessie Coleman Drive at O’Hare International Airport in Chicago.


Tragic Death

On April 30, 1926, in Jacksonville, Florida, Coleman was preparing for a May Day airshow. While flying in an open-cockpit Curtiss Jenny biplane, she was in the passenger seat without a seatbelt (she needed to look over the side for a planned parachute jump). The plane suddenly went into a dive and flipped. Coleman fell from 2,000 feet and died instantly. The pilot, William Wills, also died when the plane crashed.

She was only 34 years old.


Legacy

Although her career was cut short, Bessie Coleman’s legacy is enormous:

  • She paved the way for later Black aviators like the Tuskegee Airmen.

  • In 1977, she was posthumously inducted into the National Women’s Hall of Fame.

  • In 1995, the U.S. Postal Service issued a Bessie Coleman commemorative stamp.

  • Her story continues to inspire pilots, women, and people of color worldwide.

Bessie Coleman proved that with courage and determination, even the highest barriers can be broken. 

                  
                        GET It... Tap the T !

                                   


Wednesday, August 6, 2025

William Greaves (1926-2014) 87 yrs "My Ninja"

                                         Who Is This Black Ninja ?

William Greaves – Trailblazing Black Filmmaker

Early Life
William Greaves was born on October 8, 1926, in Harlem, New York City, to West Indian immigrant parents. Growing up during the Great Depression, he developed a love for the arts and storytelling. He attended City College of New York, where he studied engineering, but his passion shifted toward acting and filmmaking.

Acting Career and Early Struggles
In the late 1940s, Greaves pursued acting, training at the American Negro Theatre alongside talents like Sidney Poitier and Harry Belafonte. Despite his skill, he found himself limited to stereotypical or marginal roles due to Hollywood’s systemic racism at the time. Frustrated by the lack of opportunities for serious Black actors, he decided to leave the U.S. in the early 1950s for Canada, where racial barriers in the arts were somewhat less restrictive.

Transition to Filmmaking
In Canada, Greaves worked for the National Film Board of Canada, learning every aspect of film production—from editing to directing. This period was critical in shaping his documentary style. He became a firm believer in film as a tool for truth-telling and social change.

Breakthrough and Career Highlights
Returning to the U.S. in the early 1960s, Greaves began producing films that addressed African American life, history, and culture with dignity and depth. Notable works include:

  • "Still a Brother: Inside the Negro Middle Class" (1968) – A groundbreaking documentary exploring the experiences of middle-class African Americans, which won an Emmy Award.

  • "Symbiopsychotaxiplasm: Take One" (1968) – An experimental, self-reflexive film that pushed the boundaries of cinema, later hailed as a cult classic.

  • "Ida B. Wells: A Passion for Justice" (1989) – A celebrated documentary on the pioneering Black journalist and activist.

  • He also hosted and produced the long-running PBS show "Black Journal" in the early 1970s, a news and cultural program that became a vital voice during the civil rights era.

Personal Life and Challenges
Greaves married Louise Archambault Greaves, a film collaborator and partner in life. Together, they worked on numerous projects, with Louise often contributing as producer or researcher.

Throughout his career, Greaves faced numerous challenges:

  • Racial discrimination kept him from fully accessing mainstream film industry resources.

  • Funding struggles plagued many of his projects, as stories about Black life were often deemed "non-commercial" by Hollywood.

  • He also wrestled with the pressure of representing the African American community during a time of heightened political and social tension.

Despite these obstacles, Greaves remained committed to telling authentic, empowering stories about Black people, often working independently to maintain creative control.

Legacy
William Greaves passed away on August 25, 2014, at the age of 87. He is remembered as a visionary who used film to challenge stereotypes, preserve history, and expand the possibilities of Black cinema. His work continues to influence documentary filmmakers, particularly those who explore race, identity, and social justice. Now for the movie...Lost Boundaries ! A Must Watch !

                                                    B. Israel 🥷


Saturday, August 2, 2025

Scatman Crouthers ( 1910-1986) My Ninja !

       Who Was This Black Ninja ?
 
Scatman Crothers: A Life of Rhythm, Voice, and Heart

Scatman Crothers, born Benjamin Sherman Crothers on May 23, 1910, in Terre Haute, Indiana, was a multi-talented entertainer best remembered for his unique voice, jazz-infused style, and warm screen presence. His career spanned over five decades across music, television, and film—leaving behind an unmistakable legacy.

🎶 Early Years and Music Career

Crothers earned the nickname “Scatman” thanks to his remarkable scat singing, a form of vocal improvisation popular in jazz. He started performing in the 1930s, playing guitar, drums, and singing in nightclubs. He toured with big bands and became a popular act on the vaudeville and lounge circuits. His smooth voice and charisma made him a favorite in both Black and white clubs, and his musical roots would later define his signature style in acting.

🎤 Breaking Into Acting and Voice Work

Scatman transitioned into television and film during the 1950s and 60s. He became a familiar face on screen, often playing lively or wise elder characters. His warm, jazzy voice also made him a natural in animation. He voiced iconic characters such as:

  • Hong Kong Phooey (1974), the clumsy kung-fu crimefighter

  • Meadowlark Lemon in The Harlem Globetrotters cartoon

  • Jazz, the Autobot in The Transformers (1980s)

🎬 Film Highlights

One of Crothers’ most famous live-action roles was as Dick Hallorann, the psychic cook in Stanley Kubrick’s The Shining (1980), where he shared powerful scenes with Jack Nicholson. He and Nicholson also worked together in One Flew Over the Cuckoo’s Nest (1975) and The King of Marvin Gardens (1972), forming a close friendship off-screen.

He also appeared in:

  • Chico and the Man (TV, 1974–78) as Louie

  • Silver Streak (1976)

  • Zapped! (1982)

❤️ Personal Life and Legacy

Scatman was known for his kindness, professionalism, and constant energy. He remained active in the entertainment industry well into his 70s, always bringing joy to his roles. He was married to Helen Sullivan from 1937 until his death.

Crothers died of pneumonia and cancer on November 22, 1986, in Van Nuys, California, at age 76. Though gone, he left behind a lasting impression through his voice, his music, and his heart.


Fun Fact: Scatman Crothers was the first African-American performer to appear regularly in a Hanna-Barbera cartoon series (Hong Kong Phooey), breaking ground in animation during the 1970s.

                                                                               

                                                                           B.Israel 🥷